The story goes that Dave Moody, as he was preparing to lead a worship service, sat at his piano and began to worship.
A prophetic song came to him and the words and melody began to flow. “All Hail King Jesus” was birthed in that moment. Moody was then prompted to sing it in the service. As he did, people began responding by bowing in worship all throughout the church. The song was then popularised through conferences and began to spread throughout the worldwide church.
“All Hail King Jesus” was significant in that it began to focus the church on objective praise, moving away from the subjectivity of presentation songs.
It is amazing how a cultural change would begin in the intimacy of a believer’s private worship.
The song also became the title recording of the first Integrity Hosanna! album led by Kent Henry. Hosanna Music would later become a leader in the worship cassette revolution (before CD’s and iTunes were invented!).
The distinctive of Hosanna Music was its ability to capture the atmosphere and flow of a worship set from start to finish. This is something which most worship labels have failed to replicate even to this day – preferring instead to heavily edit and chop and change the positioning of songs.
My first Hosanna Music album was “The Lord Reigns” with Bob Fitts. I was very much taken by the idea of being able to put on the tape and have a church service right there in my Walkman and to experience the presence of God through recorded worship. I began memorising every song on the tape and even the things Bob Fitts said in between songs. Listening to Hosanna Music was one of the ways I learnt to lead worship.
I am sure Dave Moody could not have imagined how a simple song like the one he wrote in 1977 would change the entire worship landscape of the church and that its influence would reach down to the generations to come after him!
I have been leading worship for the last 19 years within the Charismatic Renewal and I have seen the style (and to some extent) the content of our worship evolve. Rewind 20 years back and it would have been unimaginable for the church back then that we would sing the types of songs we sing today.
The instrumentation has changed. From keyboard-driven and big band orchestral music, the forerunner music of today’s worship is guitar-driven grunge and electronic techno.
We have also moved on from traditional hymnology to a much more prophetic, apostolic lyric but at the same time, injecting elements of heartfelt personal poetry and imagery. Worship music is beginning to bridge the cultural divide between sacred and secular.
The praise and worship movement had its origins in the 1960’s. Two streams were particularly influential: presentation blue-grass gospel songs (popularised by the Gaithers) and the Jesus People movement (which brought rock-and-roll music and musicians into the church). (It is interesting to see even then how the generations converged in Charismatic worship).
Since then, those on the cutting edge have continued to revolutionise worship music, bringing to it strong artistic merit without comprising biblical content.
An epoch means an era or season. And so when I refer to “epochal songs”, I am referring to songs that are significant to an era or season of the church in one of two ways: either it defines the season (i.e. it captures and articulates the heartcry of the church at a moment in time, usually an emotion or perspective which was felt but not yet expressed) or it is defining of the season (i.e. it catapults the church into a new prophetic direction).
Here, I want to list what I believe are the epochal songs of the praise and worship movement. I don’t pretend to be an expert on this but my opinion is based on extensive reading, listening and thinking about praise and worship and also experiencing it first hand for the last 22 years of my Christian walk.
So here they are – my list of the 15 epochal songs of the praise and worship movement in chronological order:
- All Hail King Jesus (Dave Moody, 1977)
- Give Thanks (Henry Smith, 1978)
- I Love You, Lord (Laurie Klein, 1978)
- As the Deer (Martin Nystrom, 1984)
- Ancient of Days (Jamie Harvill and Gary Sadler, 1992)
- Power of Your Love (Geoff Bullock, 1992)
- Shout to the Lord (Darlene Zschech, 1993)
- Everything That Has Breath (Michelle Hira/Parachute Band, 1994)
- I Could Sing of Your Love Forever (Martin Smith/Delirious, 1994)
- Did You Feel the Mountains Tremble (Martin Smith/Delirious, 1994)
- Breathe (Marie Barnett, 1995)
- History Maker (Martin Smith/Delirious, 1996)
- The Heart of Worship (Matt Redman, 1997)
- How Great is Our God (Chris Tomlin, Ed Cash and Jesse Reeves, 2004)
- How He Loves Us (John Mark McMillan, 2005)
In my next several posts, I will explain why I have picked these songs and their significance to the worship life of the church. You may not agree with my list or you may think other songs should be included. What would be interesting for me (as a bit of social research) is to hear your thoughts on my list. What songs do you think should be here? Why do you think they are significant? I look forward to reading your comments!